Squish Squared – 2015

Room 2 Manoeuvre presents Squish Squared **** – August 2015

Dance and squash collide in Squish Squared, an energetic and humorous look at the spirit of competition. Created for the Glasgow 2014 Culture Programme, Squish Squared takes place within glass backed squash courts. Audiences view the action through the glass and are then invited to have a go at bashing a ball against a wall. A contemporary dance male duet, the show revolves around the theme of inherent one-upmanship between our two protagonists. Ultimately they discover that, despite their differences, they are both competing for the same thing and may have to work together to achieve that goal.

Suitable for all the family. Show duration is 30 mins followed by a 20 minute “have a go session” of squash.

Venue details:

ZOO Grange (Venue number 457) , The Grange Club, Portgower Place, EH4 1HQ

 

Squish Squared**** – Broadway Baby (Tom Moyser) August 2015

Guided by the contours and movements of squash and the confining size and layout of a squash court, Squish Squared is a unique and searching dance sequence that invites some fascinating questions about the relationship between dance and sport.

It is the show’s anchoring in the game that makes its take on coordination and dominance so unique
Two dancers, Joshua Smith and Oliver Russel, play a pair of squash rivals who jostle for supremacy throughout the show, both in the segments that most resemble squash and those that employ other motifs. Bedecked in casual shirts, buttoned to the neck and skinny trousers, the dancers look more like models from the men’s section of the ASOS website than squash players – a choice that helps generalise the piece’s themes.

Tony Mills’ choreography explores the ways that competition or co-operation play out in response to a number of conceits or constraints. For example, one sequence is guided by the lines on the squash court floor. To traverse the lines in the most spectacular possible manner, teamwork becomes paramount. Other segments see the pair compete for particular resources, such as the two versatile suitcases which they enter the court with. Even the court’s walls and ceiling get a look in. It is very compelling to see pattern, meaning and structure spring from something that, at least superficially, is so unlikely a source.

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Beverley Grant at The Grange, Stockbridge

The soundtrack is mostly jazz and usually energetic; and the dancers’ stamina is suitably impressive – it needs to be to keep up. However, Squish Squared is not a stampede, nor ever frantic. The routine has enough ebb and flow to maintain interest and to break the sequence up into discrete episodes. Although each of these episodes is not necessarily formally ambitious, the squash court’s confinement helps keep them formally interesting.
Included in the ticket is an introductory session with a squash coach. This is well worth staying for, both because the tutorial is professional, friendly and well pitched at beginners; and because a cursory knowledge of squash and its unique constraints and pressures is a valuable key for unlocking Squish Squared. During our instruction, a novice player who had recently taken up the sport asked the instructor how he and his partner could improve their games. Their problem was that they were too interested in the game’s aesthetics – tricky shots that used the space in clever ways – rather than setting themselves up well for a competitive match. This, the instructor told us, is one of squash’s central dilemmas.

In some ways Squish Squared can be seen as a response to that tension. Smith and Russel must likewise decide between collaboration and rivalry. It is both about squash and about so much more. Yes, they are dancing; and yes, the squash court is used as a symbol for all sorts of other spaces of conflict; but it is the show’s anchoring in the game that makes its take on coordination and dominance so unique. There are few other possession-based sports, after all, where the competitors face the same direction.

 

 

Education Activity:

Room 2 Manoeuvre endeavours to provide a high level of dance education to schools, community and professional organisations and practitioners in the UK and internationally. The company has worked with institutions including Dance Base, Citymoves, Dance House, Dance City, Yorkshire Dance, The Space Dundee, Edinburgh College, Scottish Youth Dance and Open Look Festival, St Petersburg and Centre National de la Danse, Paris, as well as many primary and secondary schools and local authorities in Scotland. This production will feature 4 high-level breakdancers from the UK and abroad and we will offer a substantial amount of education activity in tandem.

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Artistic Director – Tony Mills – Squish 2014